Otto Harbach, songwriter: Reference Sources

Overview and Commentary Otto Harbach (This section remains in preparation)

In their book "Reading Lyrics" Robert Gottlieb and Robert Kimball note that as late as 1963, the year that Otto Harbach died, Variety's Obituary for him called Harbach "The dean of U.S. librettists."

That the name Otto Harbach is most often associated with the operetta period of American musical theater, a period tied to a waning European form of the musical, is both correct and unfair at the same time. Two of the composers Harbach often collaborated with, Rudolph Friml (The Firefly and Rose-Marie) and Sigmund Romberg (The Desert Song) are squarely in the tradition of shows that featured soaring melodies in the service of sentimental themes. On the other hand, his collaborators Jerome Kern (Roberta and The Cat and the Fiddle) and Vincent Youmans (Wildflower and No No Nanette) represent much more of a transition from the sentimentality of operetta to a more modern point-of-view. By the time Kern and Harbach (and Oscar Hammerstein II) wrote Roberta in 1933, the bridge to the future was well under way in Songs such as "Smoke Gets in Your Eyes" and "Yesterdays." And it didn't hurt that they were brought to the attention of the American public at large in the movie version of Roberta (1934), which in itself sharply contrasted the pre-World War I sensibility in the operetta flavored scenes featuring Irene Dunne (playing a displaced Russian Princess in Paris) with a much hipper milieu in those numbers handled by Astaire and Rodgers (playing American nightclub entertainers).

Harbach may have had a foot and a half in that older world but the half of a foot he planted in modern musical entertainment with songs like "She Didn't Say 'Yes'," (from the 1931 show The Cat and the Fiddle" and "I Won't Dance" (even before Dorothy Fields was called in to jazz it up a little) revealed that the jazz age was not completely lost on Harbach. Still, that many of his lyrics for songs from Roberta written by him and Oscar Hammerstein II had to be revised by the younger Fields in order to satisfy the au courant movie makers reflect Harbach's (and even Hammerstein's) transitional place between old and new.

Cafe Songbook Music-Video Cabinet: Otto Harbach

Research Resources: Otto Harbach

Notes

Questions

What is Otto Harbach, songwriter?

In their book "Reading Lyrics" Robert Gottlieb and Robert Kimball note that as late as 1963, the year that Otto Harbach died, Variety's Obituary for him called Harbach "The dean of U.S. librettists ."

How should Otto Harbach, songwriter be cited?

Cite this page as "Otto Harbach, songwriter: Reference Sources," Cafe Songbook, https://greatamericansongbook.net/pages/songwriters/h_i_sws/harbach_otto.html

Which Cafe Songbook pages are related?

Also read Cafe Songbook Glossary of Terms (https://greatamericansongbook.net/pages/misc_pages/glossary.html); "Smoke Gets in Your Eyes" (https://greatamericansongbook.net/pages/songs/s/smoke_gets_in_your_eyes.html); "Yesterdays" (https://greatamericansongbook.net/pages/songs/x-y-z/yesterdays.html); "She Didn't Say 'Yes'" (https://greatamericansongbook.net/pages/songs/s/she_didnt_say_yes.html).

Cite this page: Otto Harbach, songwriter: Reference Sources, Cafe Songbook, https://greatamericansongbook.net/pages/songwriters/h_i_sws/harbach_otto.html